That Was The (Opera) Year That WasÂ
The pandemic forced the opera world to adapt and innovate. Have the changes been for the better or for worse?
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The pandemic forced the opera world to adapt and innovate. Have the changes been for the better or for worse?
Puccini’s “Tosca”, brought to life by the Metropolitan Opera, is a sumptuous feast for the eyes and ears.
Eurydice is wunderkind Matthew Aucoin’s fifth opera.
The New York Times has called for the cancellation of Puccini’s Turandot, forgetting that much of opera is based on creative fiction.
New York, slumbering for 18 Covid-stricken months, is reawakening to the tune of the Metropolitan Opera’s La Bohème.
“Viral” gives the reader an unexpected insight into ill-regulated laboratories.
Written in 1730, Handel’s first comic opera follows the story of four rival suitors in pursuit of Queen Partenope’s affection.
The composer Alexander von Zemlinsky bares his soul in this brave opera about identity, rejection and recognition.
The sleepy town of Wexford has awoken for the return of its annual opera festival.
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