“What do you see? … Be specific, be exact…” barks Mark Rothko (Alfred Molina), to his new studio assistant Ken (Alfred Enoch), who leans in
The chequered history of Rodney Ackland’s Absolute Hell has granted it a level of notoriety which does not stand up to scrutiny when viewed on the modern
Stalin couldn’t stand Shostakovich’s second opera Lady Macbeth of Mtsensk: when the dictator heard it performed in 1936 it was promptly banned. Shostakovich was never
The Moderate Soprano runs at the Duke of York’s Theatre until June 30 Following an acclaimed run at Hampstead Theatre in 2015, David Hare’s The
The arts scene might be solely interested in cultural earnestness and agenda-pushing at the moment, but judging by the packed-out matinée performance of Gilbert and
There is something strangely absorbing about the quotidian human exchanges staged in all their mundanity. Annie Baker’s new play ‘John’ absorbs. ‘Slow radio’ and ‘slow
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