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Will HuttonWill Hutton | Culture

Elisabeth Moss, Owen Wilson, Tilda Swinton, Fisher Stevens and Griffin Dunne in the film THE FRENCH DISPATCH

The French Dispatch review – all style, no substance

Will HuttonWill Hutton | Culture

Wes Anderson’s ode to magazine journalism is enjoyable to look at, but lacks emotional depth.

Tenet Review: Cinema-going in the Apocalypse

Will HuttonWill Hutton | Reaction Weekend

The Nabob of Chipping Dean

Will HuttonWill Hutton | Reaction Weekend

First, there were the court cases, which he won, god knows how, when the accused had been caught holding the damn thing. Then came the

The Lighthouse review – a phantasmagoria of images and sounds

Will HuttonWill Hutton | Reaction Weekend

In director Robert Eggers assured debut, “The Witch” (2015), a family of god-fearing Calvinists set up shop on the edge of a mysterious forest they

Uncut Gems review – exhilarating cavalcade through New York’s Diamond District

Will HuttonWill Hutton | Reaction Weekend

Harold Ratner, the luckless protagonist of the Safdie Brothers’ new film, inspires devotion. Such devotion, in fact, that his girlfriend has his name tattooed to

1917 review – a thrilling, if absurd, journey into hell

Will HuttonWill Hutton | Reaction Weekend

In director Sam Mendes’ new film “time is the enemy”, or so its publicity billboards suggest. To the mix, I would throw countless Germans, giant

Lerner brings poetry to the page

Will HuttonWill Hutton | Books

A short way into Ben Lerner’s new novel, The Topeka School, Jonathan, a therapist at the Topeka “Foundation”, and one of the novel’s narrators, is

The Irishman is a worthy coda to Scorsese’s gangster genre

Will HuttonWill Hutton | Reaction Weekend

What happens when you grow old? That’s the question lingering in the nursing home in which Frank “The Irishman” Sheeran (Robert DeNiro) sees out his

Non-Fiction review – nothing much happens in this publishing drama

Will HuttonWill Hutton | Reaction Weekend

For bibliophiles, Olivier Assayas’ new film is more aetiology than entertainment – despite its blithe marketing to the contrary. Aspiring novelists beware. Non-Fiction should have

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