There is more than one way, more than one door, into Number 10 Downing Street. The place is a cavernous complex of connected buildings, with a back door and assorted other secure routes enabling staffers to get in and out
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In his all-too-short life, Philipp Otto Runge brought an almost shocking originality to everything he attempted.
Johannes Itten’s bold, varied and independent use of colour in “Meeting” is a study of competing chromatic assertions.
In The Race Meeting, Sir John Everett Millais presents a poignant story of an undisciplined crowd at the Epsom Derby.
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