Growing up in Belfast in the 1950s and ’60s, I was aware of only two national identities: British and Irish. The British were Protestant and the Irish were Catholic. They looked and sounded exactly the same, but somehow “you could tell”.
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Francis Poulenc’s Dialogues des Carmélites may be grounded in French revolutionary terror but its tragic themes still resonate today.
tragically plays relevantly to audiences today.
Schwitters was in the vanguard of young German artists who redefined art as whatever they chose to make of it.
The Beeb is deluded if it believes its digital heft can be built on a diminished brand. Sacrificing seasoned pros is a big blunder.
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