I haven’t spent much time in Ireland, north or south, in recent years. Covid is part of it, but the truth is that after fourteen years in New York, followed by six in rural France, I had lost touch with the everyday realities of Irish life.
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The terrible twosome who founded OperaGlass Works will stop at nothing to attain their artistic purpose.
Dix was a vivid recorder of the fertile yet brittle culture of the Weimar Republic in the 1920s.
The parallels between the threat to Ukrainian culture in the 1930s and today are unmistakable.
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