The roots of Marc-André Dalbavie’s epic opera, The Satin Slipper are nourished in the loam of 20th-century literary genius, French poet Paul Claudel, then dig deeper still, down, down – to 16th century Spain, newly discovered America and the Far East.
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At the awards ceremony in Munich this year, a jury dug deep into the purpose of opera and its impact on society.
“Outcomes” was absent from our vocabulary a few decades ago and is now thriving at the heart of it.
Beijing has accumulated power by avoiding emulating the methods of its main competitor, argues Oriana Skylar-Mastro in her new book.
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