Annilese Miskimmon, the no-nonsense artistic director of the English National Opera (ENO), hit the nail on the head when she asked: “When a composer brings me an idea for an opera, the first thing I ask is, why does this need to be made into an opera?”
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Die Frau ohne Schatten review: an adaptation…
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Annilese Miskimmon, the no-nonsense artistic director of the English National Opera (ENO), hit the nail on the head when she asked: “When a composer brings me an idea for an opera, the first thing I ask is, why does this need to be made into an opera?”