Christina Rossetti was the youngest member of one of the Victorian-era’s most distinguished artistic dynasties. Her loving parents were creatively accomplished scholars who encouraged their talented children to indulge and explore their early inventive impulses.
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Florencia en el Amazonas proved a visual treat and the English National Opera was on manoeuvres in Manhattan.
The term “imaginary” used as a noun is cropping up frequently in recent prose. It seems at first sight a totally alien item.
The return of Le Petit Caporal has led to a burst of ressentiment in French cinema.
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