Patrick Radden Keefe’s collection of stories in Rogues reflect his deft-handed ability to build interest, structure and tension.
The use of the word “excited” by advertisers and promoters is dangerous because it tries to involve us in a false-hearted relationship.
Wes Anderson’s ode to magazine journalism is enjoyable to look at, but lacks emotional depth.
Ed Caesar talks to Iain Martin about Ed’s recent story in The New Yorker, “The Ship That Became A Bomb”.
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