The producers of Peppa Pig have introduced a lesbian couple because visibility matters. Why then have these new characters adopted the ultra traditional family set up?
From Swap Shop teaching children the power of capitalism to The Chuckle Brothers normalising Marxism to Postman Pat’s attempt to hinder the denationalisation of the Post Office, Children’s TV has also been highly political.
Since the Magic Roundabout aired in the 1960s, it has been commonplace to suggest that the makers of children’s television must be on drugs. Judging
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