In the largely disappointing Rufus Norris regime at the National, the premiere of Hansard was unexpected. A one-act, 90-minute play, set in the Eighties, about
London theatre is currently working out how best to portray Trump and Brexit. The approach varies. Some productions are top-down, the action a riff on
“What do you see? … Be specific, be exact…” barks Mark Rothko (Alfred Molina), to his new studio assistant Ken (Alfred Enoch), who leans in
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