This was a benchmark Madama Butterfly for our times
Floris Visser’s subtle eye for painstaking detail is a thing to behold.
Floris Visser’s subtle eye for painstaking detail is a thing to behold.
Puccini’s accessible opera was made truly great by the Pogorelc sisters.
Max Mitchell speaks to James Kaplan about Miles Davis and Kind of Blue’s lasting power.
Mieczyslaw Weinberg’s holocaust opera, The Passenger, enjoins us to remember a story we forget all too frequently.
Tara Faircloth gave Salt Lake City’s operagoers a Figaro to die for. Die laughing.
One doesn’t normally expect to find an intoxicating performance of Pushkin’s Eugene Onegin in the Midwest.
This is the Met’s first new production of La forza del destino in thirty years.
Annilese Miskimmon’s production is an excellent justification for the threatened English National Opera.
This new production proves that Minghella’s heady mixture of shock and beauty has stood the test of time.
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