Barbenheimer: the American century continues full steam ahead
“Barbenheimer” grew out of the fact that these films were polar opposites. But all the combination really shows is how utterly obsessed the world still is with US culture.
“Barbenheimer” grew out of the fact that these films were polar opposites. But all the combination really shows is how utterly obsessed the world still is with US culture.
That said, the science isn’t quite scientific enough. It employs some lazy shortcuts.
This film is a much-needed reminder to revisit the life of the French musician Joseph Bologne. Yet it fails to reestablish his legacy in any meaningful way.
Will Dial of Destiny be the final Indiana Jones film? Don’t bank on it.
Morally murky and short on laughs, this sex comedy is a flop.
Evil Dead Rise is everything a clever, calculated, and self-consciously intertextual horror film should be. The Boogeyman, meanwhile, manages to be derivative and high-quality at the same time.
Much as I understand the rationale behind hating something because Ezra Miller is in it, I can loathe the man but still enjoy a movie.
One film is brooding and introverted, the other full of revenge, Western-style. Both are well worth a watch.
The B-movie’s omission from the nominations list is odd when you consider how closely it mirrors our ludicrous media landscape.
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